''This book will provoke intellectually, ideologically, and emotionally loaded responses in the U.S., Germany, and Israel. Barnouw's critique of the 'enduringly narrow post-Holocaust perspective on German guilt and the ensuing fixation on German remorse' questions taboos that the political and cultural elites in those three countries would rather leave alone. . . . [Barnouw] makes us understand why the maintenance of a privileged memory of the Nazi period and World War II may not survive much longer.'' ---Manfred Henningsen, University of Hawai'i

Sixty years after the defeat of the Nazis and the discovery of Auschwitz, the impact of WWII on the German people remains a subject that is difficult to broach in public discourse. The experiences of Germans civilians were little studied, as if the memories of the defeated were not deserving of preservation.

In Germany 1945, an examination of Allied photography of postwar Germany, Dagmar Barnouw demonstrated one of the means by which the victors sought to impose the burden of responsibility for World War II and the Holocaust on the German people as a whole. Now, in The War in the Empty Air, she demonstrates how deeply that narrative took hold and the silence it imposed. In Germany, the reemergence of memories of wartime suffering is being met with intense public debate. In the United States, the recent translation and publication of Crabwalk by Guenter Grass and The Natural History of Destruction by W. G. Sebald offer evidence that these submerged memories are surfacing.

Taking account of these developments, Barnouw examines this debate about the validity and importance of German memories of war and the events that have occasioned it. Steering her path between the notions of ''victim'' and ''perpetrator,'' Barnouw seeks a place where acknowledgment of both the horror of Auschwitz and the suffering of the non-Jewish Germans can, together, create a more complete historical remembrance for postwar generations.