Hearst Over Hollywood is a book that could appeal to a large cross-section of readers - historians, movie buffs, those with interests in journalism and media, etc. Louis Pizzatola has done an incredibly admirable job in compiling sources and data on William Randolph Hearst and presenting him in a new light - something very difficult to do after over 100 years of Hearst representations in the media and popular culture. That in itself makes it a worthwhile read.



While I hate to be the one to knock down this book's perfect customer rating to date, I feel that an honest review on my part would require that I also point out some of the book's flaws. Because it is so densely filled with information, many chapters bog down over sequences that perhaps could have been better conveyed if streamlined. I can appreciate the fact that it would be hard to determine exactly where to streamline, so I suppose that some readers who possess some knowledge on the subject going in will be able to pick out what interests them.



The book is about as objective as any work on Hearst could be and it is a pleasure to re-think Citizen Kane from the context of knowing more about its erstwhile main character. If you've never seen it or haven't in a while, I would recommend watching the film, reading the book, and then watching it again.



Pizzitola's thoroughness does serve him very well in exploring how Hearst built his media empire from the publishing industry through the nascent Hollywood studio system and balances nicely the clinical examinations with the gossipy show-business scandal aspects of the man's life.



Very well done.

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