This book is for a general audience. It is well written with only occasional use of perhaps overly technical words, for example, chthonic for underworld. It has a very good Index and a list of essential references, at least those that have been published in English. The glossary is also quite useful. In areas in which I am somewhat knowledgeable, I find a good summary is presented but with a minimum of references.



Missing is any reference to the common origin myth of the Maya (Popul Vuh) and Andeans (Huarichiri); likewise other shared myths such as the revolt of the objects are not mentioned. Further, the common substitution of body parts in Andean sculpture, such as at Chavín is not contrasted to the another region where it is well-known, China, as seen in dragons. The Maya case must represent diffusion for the degree of similarity in the quite unusual origin myth; that of China would at least apprise the reader that the Andean case is not unique.



In brief, the book provides a good introduction to Inca mythology and that treatment is extended to pre-Incan peoples in some instances, such as the Moche. It is pitched to somewhere between a popular readership and one useful as a good introductory treatment in a class room at a low grade level at a university. General readers will find the alienness of the myths, less tempered by the introduction of European ones than, say, in Central America, accessible, although the hand of the ethnographer Catherine J. Allen, listed as "with the assistance of") would have helped the readers understanding by supplying more contemporary examples.