This book focuses on the work of a group of British novelists who have broken in different ways from the realist British novel of the post Second World War period without losing their broad appeal among readers. Authors discussed include Salman Rushdie, A.S. Byatt, Ian McEwan, Angela Carter, Jeanette Winterson and Kazuo Ishiguro. All of these writers have been compelled to seek out new narrative strategies to give appropriate expression to their different responses to a world dominated by global capital and by the media and electronic systems of communication serving its ends.
