In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its ''three crowns'': Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social.

Moving from the lyric origins of the Divine Comedy in ''Dante and the Lyric Past'' to Petrarch’s regressive stance on gender in ''Notes toward a Gendered History of Italian Literature''—and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo—these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.

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